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Central Park Super G - Split Shots on Flickr.
Post-blizzard stunt skier Gabrielle transforms a staircase in Central Park into a downhill showcase. As dozens of park visitors looked on, she strapped on her skis at the top of the stairs and pushed off—managing to take flight by the second landing. Gabrielle picked up the pair of Rossingnols for $30 on the street last night for the express purpose of ruining them on unconventional urban slopes. After this run, she was packing up her equipment in search of staircases with a smaller audience.

Central Park Super G - Split Shots on Flickr.

Post-blizzard stunt skier Gabrielle transforms a staircase in Central Park into a downhill showcase. As dozens of park visitors looked on, she strapped on her skis at the top of the stairs and pushed off—managing to take flight by the second landing. Gabrielle picked up the pair of Rossingnols for $30 on the street last night for the express purpose of ruining them on unconventional urban slopes. After this run, she was packing up her equipment in search of staircases with a smaller audience.

Filed under Central Park manhattan nyc snow lexiphane gothamist skiing

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Straight Lines and Curves on Flickr.
The straight vertical lines of the Curtiss-Wright (orig. Ampico) Building built in 1923 are shown up by the sloping glass curtain wall of SOM’s 1974 tower 9 West 57th. Some criticized the latter building’s curved facade for destroying the streetwall along 57th Street. Indeed, immediately below the frame of this image, the raw, unwindowed side of the Curtiss-Wright building is exposed where another building once abutted it. The net effect is that it looks like Cross & Cross’s building has been pantsed by modernism.

Straight Lines and Curves on Flickr.

The straight vertical lines of the Curtiss-Wright (orig. Ampico) Building built in 1923 are shown up by the sloping glass curtain wall of SOM’s 1974 tower 9 West 57th. Some criticized the latter building’s curved facade for destroying the streetwall along 57th Street. Indeed, immediately below the frame of this image, the raw, unwindowed side of the Curtiss-Wright building is exposed where another building once abutted it. The net effect is that it looks like Cross & Cross’s building has been pantsed by modernism.

Filed under 9 West 57th Street Ampico Architecture Cross & Cross Curtiss-Wright SOM Skidmore Owings & Merrill manhattan modernism nyc curbed lexiphane